CHEESMAN PARK
Denver's Most Haunted Park!
the following video was produced by APRO and Grim Walks Denver To explain the hauntings in and around Cheesman Park located in the heart of
denver, co
The Investigation
"APRO", along with "grim walks Denver",
created a series of Successful tours of the site. APRO conducted several investigations which resulted in a large amount of evidence on the site. Is chessman park haunted? Yes, by our standards we believe that the park is haunted by a large plethora of varied activities. The movie “the changeling” staring George c. Scott, was based on an actual event that the writer of the movie experienced while living in a home just north of the park. The house was destroyed and now a condominium complex sits on the location.The movie “Poltergeist” was also based on cheesman park. In the movie, spirits are haunting one of the developers of the housing development that they now reside in. poltergeist and haunting events begin to disrupt the family. Eventually it is discovered that, as Craig t. nelson screams “you moved the headstones, but you didn’t move the bodies …. You didn’t move the bodies!!” as was in the case of cheesman park. Read below for all the details.
"There Here"...
the chessman park hauntings were insperation for the movies; “Poltergeist” and “the Changeling – 1980”
(see Full length movies and clips in our reviews in our "Just for fun – movies section").
While taking a stroll upon the rolling hills or having a picnic under the shade of one of the many trees in the beautiful 80 acre Cheesman Park, many visitors don’t realize that they very well may be walking or sitting right upon the grave of one of the many who were buried here in the 19th century. Surrounded by Capitol Hill mansions in the heart of downtown Denver, Colorado Cheesman Park is not only frequented by visitors wanting to explore its botanical gardens or enjoy its 150 mile panoramic view from the pavilion, but is also said to be home to a number of restless spirits.
The park’s history began in 1858 when General William Larimer jumped the claim of the St. Charles Town Company and established his own town, which he called Denver.
In actuality, the property didn’t belong to the Town Company either; rather the land legally belonged to the Arapaho Indians. In November, 1858, Larimer set aside 320 acres for a cemetery, which is now the site of present-day Cheesman and Congress Parks. Larimer called it Mount Prospect Cemetery and several large plots were designated on the crest of the hill for the exclusive use of the city’s wealthy and most influential citizens. The outermost edge of the cemetery was reserved for criminals and paupers, while the middle class were to be interred somewhere in between.
Cheesman Park, Denver, Colorado
"Moon at Dusk, Cheesman Park," photo by Gifford
Ewing, Ewiing Photo.
The first man buried in the cemetery was named Abraham Kay, who died after being suddenly stricken with a lung infection. He was buried on March 20, 1859. However, the most often story told of the first person buried was a man hanged for murder. Making for a far more interesting tale, it has become the more preferred version.
The second man buried at the cemetery was a Hungarian immigrant named John Stoefel. Having arrived in Denver to allegedly settle a dispute with his brother-in-law, he ended up shooting the man on April 7, 1859. Both men were gold prospectors, and witnesses believed that Stoefel was really there because he wanted his brother-in-law’s gold dust. Because the nearest official court was in Leavenworth, Kansas, a "people’s court" was assembled, where Stoefel was convicted of murder. On April 9, 1859 he was hanged from a cottonwood tree at the intersection of 10th and Cherry Creek Streets. Though Denver consisted of only 150 buildings at the time, about 1,000 spectators attended the Stoefel hanging. Afterwards his body, along with his brother's were dumped into the same grave at the edge of the cemetery.
As the outermost edge of the cemetery began to fill with outlaws, vagrants, and paupers, Denver citizens began to call the cemetery the "Old Boneyard” and "Boot Hill.” Mt. Prospect gained yet another nickname when a popular professional gambler named Jack O’Neill was gunned down outside of a saloon in March, 1860. The whole event began when O’Neil, a handsome Irish man, quarreled with a less than credible man who went by the name of "Rooker.” As the argument progressed, O’Neill suggested the two settle the argument with Bowie knives in a back room. However, when Rooker refused, O’Neill questioned his heritage as well as that of several of his family members. A couple of days later, Rooker shot O’Neil down as he passed by the door of the Western Saloon. When the Rocky Mountain News printed the story, the cemetery also became known as "Jack O’Neil’s Ranch.”
After receiving these many nicknames, the cemetery never gained the respect that Larimer intended for it to have. The influential citizens of Denver's society were most often buried elsewhere, leaving the graveyard to burials of the poor, criminal, and diseased.
When Larimer eventually left Denver, Mt. Prospect was claimed by a cabinet-maker named John Walley, who also just happened to be an aspiring undertaker. A report in 1866 stated that 626 persons were buried in the cemetery. Walley did an extremely bad job of keeping up the cemetery which soon fell into a terrible state of disrepair as headstones were toppled, graves were vandalized and sometimes, even cattle were allowed to graze upon the land. Some legends even tell of homesteaders who began to live upon the land.
In 1872, the U.S. Government determined that the property upon which the cemetery sat was federal land, having been deeded to the government in an 1860 by a treaty with the Arapaho Indians. The government then offered the land to the City of Denver who purchased it for $200. A year later, the cemetery’s name was changed to the Denver City Cemetery.
Over time, separate areas of the cemetery were designated for various religious, organizational, and ethic groups, such as the Odd Fellows, Society of Masons, Roman Catholics, Jewish, the Grand Army of the Republic, and a far away segregated section for the Chinese, near the pauper's graves. While some of this sections were well kept up by family descendants or their organizations, others were terribly neglected.
In 1875, twenty acres at the north part of the cemetery were sold to the Hebrew Burial Society, who then maintained it, while much of the rest of the graveyard grew tall with weeds.
In 1881, a "hospital” for those suffering from small pox was established just south of the Jewish Cemetery. The hospital, more often referred to as a "pest house,” was where small pox victims were quarantined, along with others having contagious diseases, and some that were merely sick, elderly, or handicapped. Most "patients” were simply left at the pest house to die. Behind the building was the Potter’s field section of the graveyard, where the vast majority of the dead were buried in mass graves.
By the late 1880’s, the cemetery was seldom used and had fallen into even worse disrepair, becoming a terrible eyesore in what had become one of the most prestigious parts of the burgeoning city. Real estate developers soon began to lobby for a park rather than an unused cemetery. Before long, Colorado Senator Teller persuaded the U.S. Congress to allow the old graveyard to be converted to a park. On January 25, 1890, Congress authorized the city to vacate Mt. Prospect and in recognition, Teller immediately renamed the area Congress Park.
Families were then given 90 days to remove the remains of their departed to other locations. Those who could afford to began to transfer the bodies to other cemeteries throughout the city. Due to the large number of graves in the Roman Catholic section, Mayor Bates sold the 40 acre area to the archdiocese, which was named the Mount Cavalry Cemetery. The Chinese section of the graveyard was placed in the hands of a large population of Chinese who lived in the "Hop Alley” section of Denver. The majority of these bodies were then removed and shipped to their homeland of China.
Cheesman Park in Denver, Colorado - However, most those buried in the cemetery were vagrants, criminals, and paupers. When the majority of bodies remained unclaimed, the City of Denver awarded a contract to undertaker E.P. McGovern to remove the remains in 1893. McGovern was to provide a "fresh” box for each body and transfer it to the Riverside Cemetery at a cost of $1.90 each. The gruesome work began on March 14, 1893, before an audience of curiosity-seekers and reporters. For the first few days, the transfer was orderly. However, the unscrupulous McGovern soon found a way to make an even larger profit on the contract. Rather than utilizing full-size coffins for adults, he used child-sized caskets that were just one foot by 3 ½ feet long. Hacking the bodies up, McGovern sometimes used as many as three caskets for just one body. In their haste, body parts and bones were literally strewn everywhere and in the disorganized mess, "souvenir” hunters began to loot the open graves and coffins.
When the Denver Republican got hold of the story, its headline proclaimed on March 19, 1893: "The Work of Ghouls!" The article described, in detail, McGovern’s practice of hacking up what were sometimes intact remains of the dead and stuffing them into undersized boxes. The article, in part, described the scene thusly:
"The line of desecrated graves at the southern boundary of the cemetery sickened and horrified everybody by the appearance they presented. Around their edges were piled broken coffins, rent and tattered shrouds and fragments of clothing that had been torn from the dead bodies...All were trampled into the ground by the footsteps of the gravediggers like rejected junk."
The Health Commissioner immediately began an investigation into the matter and as a result, Mayor Rogers terminated the contract. Afterwards, the city built a temporary wooden fence around the cemetery, leaving it in shambles with open holes still displayed. Though numerous graves had not yet been reached and others sat exposed, a new contract for moving the bodies was never awarded.
In 1894, grading and leveling began in preparation for the park, though several of the open graves wouldn’t be filled in until 1902, when shrubs were planted in many of them. The park was finally completed in 1907, without ever having moved the rest of the bodies. Two years later, in 1909, Gladys Cheesman-Evans, and her mother, Mrs. Walter S. Cheesman, donated a marble pavilion in memory of Denver pioneer, Walter Cheesman. The donation was conditional that part of the park’s be designated as Cheesman Park and so it was. The pavilion continues to stand today.
In 1923, the bodies from the Hebrew Burial ground were removed to other sites and the cemetery returned to the city, where the site currently serves as the site of the reservoir in Congress Park.
The section once used as the Chinese cemetery was used as the city tree and shrub nursery until 1930 when a WPA project converted it to an addition for Congress Park.
In 1950, the Catholic Church moved the remains of those interred in the Mount Cavalry Cemetery and sold the land back to the city, which is now the location of Denver's Botanical Gardens.
The vast majority of present day Cheesman Park was mostly the Protestant portion of the old cemetery. A residential community separates Cheesman from Congress Park.
Today, an estimated 2,000 to 5000 bodies remain buried in Cheesman Park.
It comes as no surprise that the spirits of these forgotten, looted, and sometimes desecrated bodies continue to make their presence known, not only at Cheesman Park, but in neighborhood that surrounds it.
Almost immediately, when the bodies began to be removed from the cemetery in 1893, strange things began to happen. One of the first reports was when a grave digger named Jim Astor felt a ghost land upon his shoulders. Astor, who had been looting the graves as he moved the bodies, immediately ran from the graveyard and failed to return to work the next day.
Cheesman Park vintage postcard - Those living in residences surrounding the graveyard began to report sad and confused looking spirits knocking at their doors and windows, as well as the sounds of moans coming from the still yet open graves.
Today, these restless spirits are still said to occupy the park as dozens of tales continue to be told of paranormal activities taking place. Most visitors tell of feelings of inexpiable sadness or dread in a place, that is today, meant for pleasure and relaxation. But other reports are more specific, often including the sounds of hundreds of whispering voices and moans that continue to come from the fields where the open graves once laid.
Children have been seen playing in the park during the night before they mysteriously disappear and a woman is said to be seen singing to herself, before she too, suddenly vanishes.
On some moonlit nights, the outlines of the old graves can still allegedly be seen. Others have also claimed that after lying on the grass, they have found it difficult to get up, as if unseen forces are restraining them.
Yet more reports tell of strange shadows and misty figures that seem to wander through through the park in confusion.
Cheesman Park is located at Franklin and 8th Streets and is open from dawn until 11:00 p.m.
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"THE CHANGELING" CONNECTION
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The 1980 film The Changeling is based on the paranormal events Russell Hunter experienced while living in an old home near Cheesman Park in the late 1960's.
Hunter had worked as a musical arranger for CBS-TV in New York City, but moved to Colorado in the mid-1960's to help his parents manage the Three Birches Lodge in Boulder. In the late 1960's, Hunter began looking for an apartment in Denver where he could live and work on his music. He rented a home at 1739 East 13th Avenue (which has since been torn down).
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Hunter claimed that beginning on February 9, 1969, he started experiencing strange phenomenon in the house. First there was the “unbelievable banging and crashing” that occurred every morning at 6 a.m. (and stopped as soon as Hunter’s feet would touch the floor). Then, faucets began to turn on by themselves and doors opened and closed on their own. Walls vibrated violently, tossing paintings to the floor.
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Shortly thereafter, Hunter and an architect friend uncovered a hidden staircase in the back of a closet. The stairway led to the third floor of the home where Hunter found a child’s trunk containing “a nine-year-old’s schoolbooks and journal from a century ago.” The journal detailed the life of a disabled boy who was kept in isolation. The boy wrote about his favorite toy, a red rubber ball. A few nights after discovering the trunk, a red rubber ball dropped from the top of a spiral staircase in the home.
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Hunter claimed that a séance revealed the story of a sickly child who was heir to a fortune from his maternal grandfather. When the child became gravely ill, his parents worried that the boy’s inheritance would pass to a different branch of the family. When their son died, the couple secretly buried him in a field in southeast Denver and adopted a boy from a local orphanage who perfectly resembled their deceased son. They trained him to take on the identity of the deceased boy (hence, the “changeling” film title) and the boy went on to become well-educated and successful.
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Hunter declared that it was the deceased child who spoke through him at the séance, revealing directions to his burial place under a house on South Dahlia Street. Hunter stated that after gaining permission to dig under that home, human remains and a gold medallion inscribed with the deceased boy’s name were found in the grave. A few days later, Hunter stated that he began to experience more violent ghostly activity in his home. He said, “glass doors blew up in my face and severed an artery in my wrist. The inner walls over the head of my bed violently imploded.”
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Hunter left the house and only returned to it again to watch its demolition make way for a high-rise apartment building. He remarked of the razing, “As the walls of the wing which had contained my bedroom collapsed, they suddenly flew outward and crushed to death the man operating the bulldozer.”
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THE “POLTERGEIST” CONNECTION
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The 1980 movie "The Changeling" was based on events said to have taken place at one of the homes in the Cheesman Park neighborhood, the site of the original Mount Prospect encompassing areas of land stretching way beyond the current park, past even the area now known as the Denver Botanical Gardens. Two skeletons were unearthed there during a routine excavation in late 2010, which is a very common occurrence, as the soil in this particular area ( Bentonite ) becomes like a slurry when wet, causing old coffins and bones to rise vertically until they break ground. The events in Steven Spielberg's 1982 film "Poltergeist" were based upon those which occurred at Cheesman Park. The famous scene in which the caskets break through the floor of the Freeling family home actually occurred at the Denver Botanical Gardens during a renovation.
The Denver Forensics department has also been called upon countless times as visitors to the park have routinely found and reported body parts which have risen to the surface, believing them to have come from recent murders. Brass parts from the old coffins and caskets have also been discovered and any who take these "souvenirs" have reported severe flaps of paranormal activity in their home.
5,000 bodies, once said to be an exaggeration, is now believed to be a conservative estimate of the bodies still buried underneath Cheesman Park and the surrounding lands. Not only are these bodies from Mount Prospect, but several include those from the original Arapaho Indian burial grounds. One of the reasons the bodies from Mount Prospect have risen to the surface with such ease is because most of them were only buried three feet below ground, as three feet beyond those lied the Apache Indian remains. Not only was a sacred Indian burial site desecrated, but countless bodies from Mount Prospect never received proper interment, and so reports of paranormal phenomena there have never ceased and still continue to this day.
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